{"id":516,"date":"2014-01-13T21:36:54","date_gmt":"2014-01-13T20:36:54","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=516"},"modified":"2014-01-13T21:36:54","modified_gmt":"2014-01-13T20:36:54","slug":"camille-claudel-1915","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/camille-claudel-1915\/","title":{"rendered":"Camille Claudel 1915"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par Bruno Dumont,\u00a02013<\/h2>\n<h3>avec Juliette Binoche, Jean-Luc Vincent<\/h3>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab\u00a0Tout au long du film, Bruno Dumont m\u00e9lange trois registres de jeu totalement diff\u00e9rents pour interpr\u00e9ter les personnages\u00a0: les com\u00e9diens professionnels, les non com\u00e9diens (c\u2019est \u00e0 dire les infirmi\u00e8res) et les handicap\u00e9s mentaux. Or ces trois registres se confrontent sans jamais s\u2019accorder. Pourtant, c\u2019est de cette confrontation que surgissent la force, la justesse et la richesse du film. Cette dissonance participe au d\u00e9rangement profond, physique et \u00e9motionnel, ressenti face \u00e0 la situation de Camille Claudel.\u00a0\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><span style=\"color: #808080;\"><span style=\"color: #333333;\"><audio class=\"wp-audio-shortcode\" id=\"audio-516-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_03_22_Camille_Claudel.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_03_22_Camille_Claudel.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_03_22_Camille_Claudel.mp3<\/a><\/audio><\/span>\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 22 mars\u00a02013<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par Bruno Dumont,\u00a02013 avec Juliette Binoche, Jean-Luc Vincent \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab\u00a0Tout au long du film, Bruno Dumont m\u00e9lange trois registres de jeu totalement diff\u00e9rents pour interpr\u00e9ter les personnages\u00a0: les com\u00e9diens professionnels, les non com\u00e9diens (c\u2019est \u00e0 dire les infirmi\u00e8res) et les handicap\u00e9s mentaux. Or ces trois registres [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-516","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=516"}],"version-history":[{"count":7,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/516\/revisions"}],"predecessor-version":[{"id":1264,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/516\/revisions\/1264"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}