{"id":535,"date":"2014-01-13T21:52:43","date_gmt":"2014-01-13T20:52:43","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=535"},"modified":"2014-01-13T21:52:43","modified_gmt":"2014-01-13T20:52:43","slug":"le-cheval-de-turin","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/le-cheval-de-turin\/","title":{"rendered":"Le Cheval de Turin"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par B\u00e9la Tarr, 2011<\/h2>\n<h3>avec J\u00e1nos Derzsi, Erika B\u00f3k, Mih\u00e1ly Kormos, le cheval Ricsi<\/h3>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab\u00a0La structure du film se d\u00e9roule sur six journ\u00e9es. Chaque journ\u00e9e reprend les m\u00eames gestes, mais film\u00e9s diff\u00e9remment. La cam\u00e9ra occupe un nouvel emplacement \u00e0 chaque plan. Les variations sont subtiles et radicales. Elles font \u00e9voluer notre perception, notre lecture et nos \u00e9motions. Nous r\u00e9ajustons en permanence notre premi\u00e8re lecture gr\u00e2ce \u00e0 des \u00e9l\u00e9ments qui nous sont donn\u00e9s \u00e0 voir peu \u00e0 peu. Ce que nous avions projet\u00e9 sur un geste dur, un regard, se trouve contredit par un \u00e9l\u00e9ment dont nous n\u2019avions pas connaissance.\u00a0\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><span style=\"color: #808080;\"><span style=\"color: #333333;\"><audio class=\"wp-audio-shortcode\" id=\"audio-535-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_12_02_Le_cheval_de_Turin_43-26.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_12_02_Le_cheval_de_Turin_43-26.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_12_02_Le_cheval_de_Turin_43-26.mp3<\/a><\/audio><\/span>\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 2 d\u00e9cembre\u00a02011<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par B\u00e9la Tarr, 2011 avec J\u00e1nos Derzsi, Erika B\u00f3k, Mih\u00e1ly Kormos, le cheval Ricsi \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab\u00a0La structure du film se d\u00e9roule sur six journ\u00e9es. Chaque journ\u00e9e reprend les m\u00eames gestes, mais film\u00e9s diff\u00e9remment. La cam\u00e9ra occupe un nouvel emplacement \u00e0 chaque plan. Les variations sont subtiles [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-535","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=535"}],"version-history":[{"count":4,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/535\/revisions"}],"predecessor-version":[{"id":1273,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/535\/revisions\/1273"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}