{"id":542,"date":"2014-01-13T22:08:21","date_gmt":"2014-01-13T21:08:21","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=542"},"modified":"2014-01-13T22:08:21","modified_gmt":"2014-01-13T21:08:21","slug":"le-discours-dun-roi","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/le-discours-dun-roi\/","title":{"rendered":"Le Discours d\u2019un roi"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par Tom Hooper, 2010<\/h2>\n<h3>avec Colin Firth, Geoffrey Rush, Helena Bonham Carter<\/h3>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab\u00a0 Pour les diff\u00e9rents entretiens entre le roi et l\u2019orthophoniste, le r\u00e9alisateur utilise la figure de style du champ contrechamp. Mais il utilise cette figure classique d\u2019une mani\u00e8re tr\u00e8s particuli\u00e8re. Il place le roi devant un immense mur vide, l\u00e9preux, qui donne une impression de friche, de d\u00e9liquescence, d\u2019isolement. Alors que, dans le contrechamp, il place l\u2019orthophoniste devant un int\u00e9rieur chaud, cossu, ouvert sur une perspective qui exprime la douceur du foyer.\u00a0\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><audio class=\"wp-audio-shortcode\" id=\"audio-542-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_02_25_Le_discours_dun_roi.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_02_25_Le_discours_dun_roi.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2011_02_25_Le_discours_dun_roi.mp3<\/a><\/audio><span style=\"color: #808080;\">\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 25 f\u00e9vrier\u00a02011<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par Tom Hooper, 2010 avec Colin Firth, Geoffrey Rush, Helena Bonham Carter \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab\u00a0 Pour les diff\u00e9rents entretiens entre le roi et l\u2019orthophoniste, le r\u00e9alisateur utilise la figure de style du champ contrechamp. Mais il utilise cette figure classique d\u2019une mani\u00e8re tr\u00e8s particuli\u00e8re. Il place le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-542","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=542"}],"version-history":[{"count":3,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/542\/revisions"}],"predecessor-version":[{"id":1281,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/542\/revisions\/1281"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}