{"id":555,"date":"2014-01-14T11:09:49","date_gmt":"2014-01-14T10:09:49","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=555"},"modified":"2014-01-14T11:09:49","modified_gmt":"2014-01-14T10:09:49","slug":"hannah-arendt","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/hannah-arendt\/","title":{"rendered":"Hannah Arendt"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par Margarethe Von Trotta, 2012<\/h2>\n<h3>avec Barbara Sukowa, Axel Milberg, Janet McTeer, Julia Jentsch<\/h3>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab\u00a0Comment repr\u00e9senter le travail de la pens\u00e9e au cin\u00e9ma\u00a0? Comment montrer \u00e0 l\u2019image, ce qu\u2019Hannah Arendt a dans la t\u00eate\u00a0? Margareth Von Trotta utilise une cam\u00e9ra en mouvement, qui suit la com\u00e9dienne dans une grande proximit\u00e9, en \u00e9pousant les lieux avec douceur, naturel, fluidit\u00e9. La cam\u00e9ra la regarde, sans la d\u00e9ranger, tout en \u00e9tant constamment en mouvement\u00a0comme le flux de la pens\u00e9e.\u00a0\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><audio class=\"wp-audio-shortcode\" id=\"audio-555-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_31_Hannah_Arendt.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_31_Hannah_Arendt.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_31_Hannah_Arendt.mp3<\/a><\/audio><span style=\"color: #808080;\">\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 31 mai\u00a02013<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par Margarethe Von Trotta, 2012 avec Barbara Sukowa, Axel Milberg, Janet McTeer, Julia Jentsch \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab\u00a0Comment repr\u00e9senter le travail de la pens\u00e9e au cin\u00e9ma\u00a0? Comment montrer \u00e0 l\u2019image, ce qu\u2019Hannah Arendt a dans la t\u00eate\u00a0? Margareth Von Trotta utilise une cam\u00e9ra en mouvement, qui suit la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-555","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=555"}],"version-history":[{"count":3,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/555\/revisions"}],"predecessor-version":[{"id":1293,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/555\/revisions\/1293"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}