{"id":557,"date":"2014-01-14T11:12:56","date_gmt":"2014-01-14T10:12:56","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=557"},"modified":"2014-01-14T11:12:56","modified_gmt":"2014-01-14T10:12:56","slug":"le-havre","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/le-havre\/","title":{"rendered":"Le Havre"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par Aki Kaurismaki, 2011<\/h2>\n<h3>avec Andr\u00e9 Wilms, Kati Outinen, Jean-Pierre Darroussin, Blondin Miguel, Pierre Etaix, Jean-Pierre L\u00e9aud<\/h3>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab\u00a0Pour ceux qui n\u2019en ont jamais vu, les films d\u2019Aki Kaurismaki ont une forme inhabituelle qui peut d\u00e9sar\u00e7onner. Un rythme pos\u00e9, qui n\u2019est pas lent mais d\u00e9tach\u00e9. Un rapport frontal avec la cam\u00e9ra. Un jeu sans aucun pathos, froid, d\u00e9cal\u00e9, pince sans rire. Un humour noir, d\u00e9tach\u00e9. Kaurismaki parle du pr\u00e9sent, mais dans des d\u00e9cors des ann\u00e9es 50 ou 60, d\u00e9cor\u00e9s d\u2019objets d\u00e9suets, dans des teintes brunes, sombres, bleut\u00e9es, avec un effet constant d\u2019anachronisme.\u00a0\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><audio class=\"wp-audio-shortcode\" id=\"audio-557-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2012_03_02_Le_Havre_Hanezu.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2012_03_02_Le_Havre_Hanezu.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2012_03_02_Le_Havre_Hanezu.mp3<\/a><\/audio><span style=\"color: #808080;\">\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 2 mars\u00a02012<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par Aki Kaurismaki, 2011 avec Andr\u00e9 Wilms, Kati Outinen, Jean-Pierre Darroussin, Blondin Miguel, Pierre Etaix, Jean-Pierre L\u00e9aud \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab\u00a0Pour ceux qui n\u2019en ont jamais vu, les films d\u2019Aki Kaurismaki ont une forme inhabituelle qui peut d\u00e9sar\u00e7onner. Un rythme pos\u00e9, qui n\u2019est pas lent mais d\u00e9tach\u00e9. Un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-557","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":3,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/557\/revisions"}],"predecessor-version":[{"id":1295,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/557\/revisions\/1295"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}