{"id":564,"date":"2014-01-15T21:43:48","date_gmt":"2014-01-15T20:43:48","guid":{"rendered":"http:\/\/nathaliehureau.fr\/?page_id=564"},"modified":"2014-01-15T21:43:48","modified_gmt":"2014-01-15T20:43:48","slug":"la-maison-de-la-radio","status":"publish","type":"page","link":"https:\/\/nathaliehureau.fr\/index.php\/la-maison-de-la-radio\/","title":{"rendered":"La Maison de la radio"},"content":{"rendered":"<h2>r\u00e9alis\u00e9 par Nicolas Philibert, 2012<\/h2>\n<p>\u00c9coutez la chronique de film radiophonique de Nathalie Hureau:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><em>\u00ab Nicolas Philibert n\u2019identifie aucune des personnes qui apparaissent dans son film, alors que c\u2019est une des r\u00e8gles premi\u00e8res du documentaire. C\u2019est une audace, coh\u00e9rente avec le principe du film qui privil\u00e9gie l\u2019\u00e9coute. Mais c\u2019est d\u00e9routant. Voire frustrant, car notre curiosit\u00e9 reste inassouvie. N\u00e9anmoins, cela participe \u00e0 la conservation du myst\u00e8re auquel Nicolas Philibert tient tant.\u00bb<\/em> N.H.<\/p>\n<p style=\"padding-left: 30px;\"><audio class=\"wp-audio-shortcode\" id=\"audio-564-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_03_La_maison_de_la_radio.mp3?_=1\" \/><a href=\"http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_03_La_maison_de_la_radio.mp3\">http:\/\/nathaliehureau.fr\/wp-content\/uploads\/2014\/01\/2013_05_03_La_maison_de_la_radio.mp3<\/a><\/audio><span style=\"color: #808080;\">\u00e9mission <em>Des go\u00fbts et des couleurs<\/em> du 3 mai\u00a02013<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>r\u00e9alis\u00e9 par Nicolas Philibert, 2012 \u00c9coutez la chronique de film radiophonique de Nathalie Hureau: \u00ab Nicolas Philibert n\u2019identifie aucune des personnes qui apparaissent dans son film, alors que c\u2019est une des r\u00e8gles premi\u00e8res du documentaire. C\u2019est une audace, coh\u00e9rente avec le principe du film qui privil\u00e9gie l\u2019\u00e9coute. Mais c\u2019est d\u00e9routant. Voire frustrant, car notre curiosit\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-564","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=564"}],"version-history":[{"count":3,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/564\/revisions"}],"predecessor-version":[{"id":1302,"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/pages\/564\/revisions\/1302"}],"wp:attachment":[{"href":"https:\/\/nathaliehureau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}